As 2018 winds down, I just want to say how grateful I am to all the writers who have contributed to this blog. I learn something new in each interview and hope you do too. I will be back next month with new Q&As for 2019. Until then, here are my favorite #firstpicturebook tips from 2018. Click on the author’s name to read the full interview.
Happy Holidays!
“I have a folder on my laptop of transcriptions of other peoples’s stories. When I’m sitting down to write, I might read through a few of them before I begin, so I can get into the rhythm of writing a picture book on one blank page, single-spaced. That has really changed how I write.”— Amanda Moeckel
“Participate in the kidlit community. It is an incredibly generous and supportive group of people! Volunteer for your local SCBWI conference. Join an online writing challenge. Review books on your blog. Give shout-outs on social media for deal announcements, book birthdays, awards, … anything! Don’t think of other kidlit folks as competitors. Think of them as cheerleaders. When you reach out, others reach back.”—Laura Renauld
“My favorite writing exercise is going for walks and making myself think on the story. What is working, what isn't, what will make your story slightly different. The mindful walk helps shape the story.”—Robert Broder
“If you are a debut author, find a debut group! If they are full, create another.”—Jessie Oliveros
“I attended my first kidlit conference in July 2016, and booked in for manuscript assessments with a couple of editors. I just wanted to get feedback to see if I was on the right track with my writing, but happily I actually got a contract from one of the editors I saw there. ”—Kellie Byrnes
“In the later stages of writing, I like to storyboard my books or make a picture book dummy. (Debbie Ohi has a great storyboard template here). I quickly sketch with bad stick figures, just to get a sense of scene. Mostly I see how the text reads page to page: where the page turns might be, how the scenes change, and where I need to trim my text for pacing.”—Sarah Jane Marsh
“when you’re stuck on what to say, sometimes it can help to imagine you are writing a book for your own 8-year-old self. What book would have helped that kid? Or delighted them?”—Elizabeth Lilly
“Every year my critique group retreats to a cabin in Alabama for a writing weekend! We follow a schedule of working, eating, walking and critiquing each day. It has proven to be really productive AND fun!”—Shanda McCloskey
“one fun exercise is thinking of an awesome book title and what would be the cover for it. Sometimes that’s enough to come up with a complete story!”—Aura Lewis
“When I’m working on a piece, I ask questions like who, what, why, where, when and how over and over again. I always think universal — similarities and differences. Most times those questions are being answered while I pace back and forth talking out loud to myself.”— Baptiste Paul
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Happy Holidays!
“I have a folder on my laptop of transcriptions of other peoples’s stories. When I’m sitting down to write, I might read through a few of them before I begin, so I can get into the rhythm of writing a picture book on one blank page, single-spaced. That has really changed how I write.”— Amanda Moeckel
“Participate in the kidlit community. It is an incredibly generous and supportive group of people! Volunteer for your local SCBWI conference. Join an online writing challenge. Review books on your blog. Give shout-outs on social media for deal announcements, book birthdays, awards, … anything! Don’t think of other kidlit folks as competitors. Think of them as cheerleaders. When you reach out, others reach back.”—Laura Renauld
“My favorite writing exercise is going for walks and making myself think on the story. What is working, what isn't, what will make your story slightly different. The mindful walk helps shape the story.”—Robert Broder
“If you are a debut author, find a debut group! If they are full, create another.”—Jessie Oliveros
“I attended my first kidlit conference in July 2016, and booked in for manuscript assessments with a couple of editors. I just wanted to get feedback to see if I was on the right track with my writing, but happily I actually got a contract from one of the editors I saw there. ”—Kellie Byrnes
“In the later stages of writing, I like to storyboard my books or make a picture book dummy. (Debbie Ohi has a great storyboard template here). I quickly sketch with bad stick figures, just to get a sense of scene. Mostly I see how the text reads page to page: where the page turns might be, how the scenes change, and where I need to trim my text for pacing.”—Sarah Jane Marsh
“when you’re stuck on what to say, sometimes it can help to imagine you are writing a book for your own 8-year-old self. What book would have helped that kid? Or delighted them?”—Elizabeth Lilly
“Every year my critique group retreats to a cabin in Alabama for a writing weekend! We follow a schedule of working, eating, walking and critiquing each day. It has proven to be really productive AND fun!”—Shanda McCloskey
“one fun exercise is thinking of an awesome book title and what would be the cover for it. Sometimes that’s enough to come up with a complete story!”—Aura Lewis
“When I’m working on a piece, I ask questions like who, what, why, where, when and how over and over again. I always think universal — similarities and differences. Most times those questions are being answered while I pace back and forth talking out loud to myself.”— Baptiste Paul
Read More
